One of the many pleasures of Molly Gloss's extraordinary third novel is watching it repeatedly change shape and direction before your eyes--a feat all the more wonderful since the narrative consists almost entirely of the fictional diaries of one woman. Charlotte Bridger Drummond--an early-20th-century single mother who supports five young sons in the just-tamed wilderness fringe of western Oregon by writing pulp fiction--presents herself as a bluff, free-thinking feminist, the kind of woman who would tumble her youngest son off her lap and onto the floor for whining. When her housekeeper's frail young granddaughter disappears from a logging camp, Charlotte unhesitatingly sets out to join the inept search parties. So, within 90 pages, Molly Gloss (The Dazzle of Day and The Jump-Off Creek) whisks us from pitch-perfect historical fiction to unsentimental lament over the devastation of the "dark and supernatural woods" of the Pacific Northwest to a kind of wild and woolly mystery story.|
All of this is immensely engaging, mostly because Charlotte herself is such excellent if occasionally astringent company. But the book really catches fire when Charlotte herself gets lost in the woods. The diary continues through the harrowing days of wet, cold, hunger, hope, despair, and then her fantastic rescue by a band of semihuman giants of the deep woods. Introducing the Sasquatch legend into an otherwise scrupulously realistic historical novel might seem like a risky narrative ploy, but Gloss brilliantly pulls it off. Indeed, so deft is her fusing of the fantastic and the actual that by the end, the narrative transmogrifies once more into a profound and troubling meditation on wildness, nature, and human nature.
Wild Life brings to mind the works of Jean M. Auel, Marilynne Robinson, Ken Kesey (that dank Oregon setting of Sometimes a Great Notion), and more distantly Willa Cather--but the breadth and daring of Gloss's imagination really puts it in a class of its own. In a sense, unifying all of the many strands of this fictional tour de force is a fiercely candid portrait of the artist, an artist who in Charlotte's words fears "coming face-to-face with my Self on the printed page--it would chill me through to the heart," but who does it anyway.
Source: David Laskin, Amazon.com.
In her highly original new novel, Molly Gloss delivers a rare blend of "heady cerebral satisfactions, gorgeous prose, and page-turning adventure" (Karen Joy Fowler). Set among lava sinkholes and logging camps at the fringe of the Northwest frontier in the early 1900s, WILD LIFE charts the life — both real and imagined — of the free-thinking, cigar-smoking, trouser-wearing Charlotte Bridger Drummond, who pens popular women"s adventure stories. One day, when a little girl gets lost in the woods, Charlotte anxiously joins the search and embarks on an adventure all her own. With great assurance and skill, Molly Gloss quickly transforms what at first seems to be pitch-perfect historical fiction into a kind of wild and woolly mystery story, as Charlotte herself becomes lost in the dark and tangled woods and falls into the company of an elusive band of mountain giants. Putting a surprising and revitalizing feminist spin on the classic legend of Tarzan and other wild-man sagas, Gloss takes us from the wilds of the western frontier to the wilds of the human heart.